Entertainment design posters commissioned through various agencies including P+A, Kellerhouse, Leroy and Rose, Rhubarb and Gravillis — all were rejected by the client.

Creative Directors involved: Andrew Percival, Neil Kellerhouse, Jon Manheim, Ryan Jones and Kenny Gravillis.

Entertainment design posters commissioned through various agencies including P+A, and Gravillis — all were rejected by the client.

Entertainment design posters commissioned through various agencies including P+A, Refinery, and Gravillis — all were rejected by the client.

I was commissioned by Gravillis to concept and build comps for Marvel's The Punisher on Netflix. The logo was provided by the client. Although it is subtle, the redaction marks are meant to be reminiscent of the American flag, as the government and military are a cornerstone of the season.

Agency: Gravillis
Creative Director: Kenny Gravillis

This is the poster for director Bryan Reisberg's feature length directorial debut at the 2014 SXSW Film Festival. The poster won the Audience Award for Excellence in Poster Design at the festival.

Various projects for various shops including P+A, Gravillis, and BusterINK — all were rejected by the client.

A poster for the film The Sarnos: A Life In Dirty Movies by Wiktor Ericsson. It is documentary about the life and work of married couple Joseph and Peggy Sarno, who made sexploitation films popular in the 60s and 70s.

Various projects for various shops including P+A, Gravillis, Leroy & Rose, Palaceworks, and Canyon — all were rejected by the client.

The teaser poster for the movie The Sixth Sense by M. Night Shyamalan. This poster won a Key Art Award in the year 2000. 

Agency: Frankfurt Balkind
Creative Director: Peter Bemis

Various projects for various shops including P+A, Gravillis, and The Refinery — all were rejected by the client.

I was hired by Gravillis, Inc. to do an illustration for the HBO show Westworld. The first image is what I turned in, and the second is the final poster that they made using my illustration.

Here are some additional elements and alternate ideas I made. The snake was used in the final poster.

I was commissioned by Gravillis to produce posters for the Ridley Scott movie, Exodus. The first couple posters were done in camera with detritus that I found in the reservoir next to my house. Very little Photoshopping was done, mostly color correction — except for the flies one. That was Photoshopped because it was too cold and there were no flies to be caught. The second set are the chronological number of the plague, but the number is made up of the plague item (frog, locust, etc.). 

Agency: Gravillis 
Creative Director: Kenny Gravillis

I was one of 40+ designers/illustrators given the task of creating their own interpretation of a cult, classic or obscure film poster from the past, whether it be a literal or abstract solution. The result is "Now Showing", an art exhibition paying homage to more than 70 years of film, through the form of prints, one-off screen prints and sculptures.

I was lucky to be paired with the magnificently talented Marian Bantjes who collaborated with me on the poster.

I was commissioned by BusterINK to explore different posters for the HULU original show, Shut Eye. The show is about a failed magician and scam artist who now works as a psychic, and has a run in with the mob.

Agency: BusterINK
Creative Directer: Noah Witlin

I was commissioned by Gravillis to produce several posters for the movie 50 Shades of Grey. 

Agency: Gravillis 
Creative Director: Kenny Gravillis

Various projects for various shops including P+A, The Refinery, Silas, and Canyon — all were rejected by the client.

I was commissioned by Canyon to produce posters for the final season of HBO's Boardwalk Empire. 

Agency: Canyon 
Creative Director: Jack Cheng

Commissioned by P+A to make posters for a film festival showing of Under The Skin. The typeface used in all of the posters is Univers. 

Agency: P+A 
Creative Director: Andrew Percival

I was commissioned by Gravillis to do posters for the film The Signal. The antagonist of the film would communicate with the protagonist via captcha texts. 

Agency: Gravillis 
Creative Director: Kenny Gravillis 

I was hired by Gravillis to produce several posters for the movie Pompeii. 

Agency: Gravillis 
Creative Director: Kenny Gravillis

I was commissioned by P+A to create some teaser posters for HBO's Game Of Thrones. They were centered around the exploration of the copy line "All Men Must Die" and the three eyed crow. These are a couple of them.

Agency: P+A
Creative Director: Andrew Percival

This is the poster for the 2014 SXSW premiere of the film Wild Canaries by Lawrence Levine. It's a farcical story about a couple that fall out of and back into love, over the course of an inept detective adventure.

The one sheet for the documentary about genetically modified organisms, called Genetic Roulette.

The lower image is the original photograph of the corn skull that I did, so you can see what was done.

The domestic one sheet for the eOne film, Diana. The movie portrays the final two years of Diana's life.

Posters for the movie adapted from the seminal comic book Watchmen. What I'm most proud of is it that I got to redraw Futura to match the photolettering version used in the comic book as it is no longer available.

Poster and Billboard for the Spike Jonze movie reinterpretation of Maurice Sendak's book.

Poster for the movie Lost In Translation. The second one was done for a film festival, I can't find a copy with a real billing block, so I either lost the original or it wasn't used. I remember it being used, but cannot find the original artwork for the life of me.

Key art design for the motion picture "Son Of God". 

Agency: Gravillis 
Creative Director: Kenny Gravillis

This is a collection of rejected work, in no order and no implied judgment — just stuff that never made it for a multitude of reasons. These were created at a variety of shops by myself, but working for other people. Agencies include Crew, Mojo, Cimarron and The Refinery.

This is a collection of rejected work, in no order and no implied judgment — just stuff that never made it for a multitude of reasons. These were created at a variety of shops by myself, but working for other people. Agencies include Crew, Mojo, and Cimarron.

I was hired by Gravillis to produce several posters for the movie Happy Valley, this is the one that was chosen. 

Agency: Gravillis 
Creative Director: Kenny Gravillis